Энциклопедия

Subdivisions

(Lee/Lifeson/Peart)

Sprawling on the fringes of the city
In geometric order
An insulated border

In between the bright lights
And the far unlit unknown

Growing up, it all seems so one sided
Opinions all provided
The future pre decided

Detached and subdivided
In the mass production zone
Nowhere is the dreamer
Or the misfit so alone

Subdivisions
In the high school halls
In the shopping malls
Conform or be cast out

Subdivisions
In the basement bars
In the backs of cars
Be cool or be cast out

Any escape might help
To smooth the unattractive truth
But the suburbs have no charms
To soothe the restless dreams of youth

Drawn like moths we drift into the city
The timeless old attraction
Cruising for the action

Lit up like a firefly
Just to feel the living night

Some we'll sell their dreams for small desires
Or lose the race to rats
Get caught in ticking traps

And start to dream of somewhere
To relax their restless flight
Somewhere out of a memory
Of lighted streets on quiet nights

Subdivisions
In the high school halls
In the shopping malls
Conform or be cast out

Subdivisions
In the basement bars
In the backs of cars
Be cool or be cast out

Any escape might help
To smooth the unattractive truth
But the suburbs have no charms
To soothe the restless dreams of youth



The analog kid

(Lee/Lifeson/Peart)

A hot and windy August afternoon
Has the trees in constant motion
With a flash of silver leaves
As they're rocking in the breeze

The boy lies in the grass with one blade
Stuck between his teeth
A vague sensation quickens
In his young and restless heart

And a bright and nameless vision
Has him longing to depart

You move me
You move me
With your buildings and your eyes
Autumn woods and winter skies

You move me
You move me
Open sea and city lights
Busy streets and dizzy heights

You call me
You call me

The fawn eyed girl with sun browned legs
Dances on the edge of his dream
And her voice rings in his ears
Like the music of the spheres

The boy lies in the grass
Unmoving, staring at the sky
His mother starts to call him
As a hawk goes soaring by

The boy pulls down his baseball cap
And covers up his eyes

You move me
You move me
With your buildings and your eyes
Autumn woods and winter skies

You move me
You move me
Open sea and city lights
Busy streets and dizzy heights

You call me
You call me

Too many hands on my time
Too many feelings
Too many things on my mind

When I leave I don't know
What I'm hoping to find
When I leave I don't know
What I'm leaving behind



Chemistry

(Lee/Lifeson/Peart)

Signal transmitted
Message received
Reaction making impact
Invisibly

Elemental telepathy
Exchange of energy
Reaction making contact
Mysteriously

Eye to eye
Reaction burning hotter
Two to one
Reflection on the water

H to O
No flow without the other
Oh but how
Do they make contact with one another?

Electricity? Biology?
Seems to me it's chemistry

Emotion transmitted
Emotion received
Music in the abstract
Positively

Elemental empathy
A change of synergy
Music making contact
Naturally

One, two, three
Add without subtraction
Sound on sound
Multiplied reaction

H to O
No flow without the other
Oh but how
Do we make contact with one another?

Electricity? Biology?
Seems to me it's chemistry



Digital man

(Lee/Lifeson/Peart)

His world is under observation
We monitor his station
Under faces and the places
Where he traces points of view

He picks up scraps of conversation
Radio and radiation
From the dancers and romancers
With the answers but no clue

He'd love to spend the night in Zion
He's been a long while in Babylon
He'd like a lover's wings to fly on
To a tropic isle of Avalon

His world is under anesthetic
Subdivided and synthetic
His reliance on the giants
In the science of the day

He picks up scraps of information
He's adept at adaptation
Because for strangers and arrangers
Constant change is here to stay

He'd love to spend the night in Zion
He's been a long while in Babylon
He'd like a lover's wings to fly on
To a tropic isle of Avalon

He's got a force field and a flexible plan
He's got a date with fate in a black sedan
He plays fast forward for as long as he can
But he won't need a bed, he's a digital man

He'd love to spend the night in Zion
He's been a long while in Babylon
He'd like a lover's wings to fly on
To a tropic isle of Avalon

He's got a force field and a flexible plan
He's got a date with fate in a black sedan
He plays fast forward for as long as he can
But he won't need a bed, he's a digital man

He plays fast forward for as long as he can
But he won't need a bed, he's a digital man
He plays fast forward for as long as he can
But he won't need a bed, he's a digital man



The weapon (part II of Fear)

(Lee/Lifeson/Peart)

We've got nothing to fear but fear itself
Not pain, not failure, not fatal tragedy
Not the faulty units in this mad machinery
Not the broken contacts in emotional chemistry

With an iron fist in a velvet glove
We are sheltered under the gun
In the glory game on the power train
Thy kingdom's will be done

And the things that we fear
Are a weapon to be held against us

He's not afraid of your judgement
He knows of horrors worse than your hell
He's a little bit afraid of dying
But he's a lot more afraid of your lying

And the things that he fears
Are a weapon to be held against him

Can any part of life be larger than life?
Even love must be limited by time
And those who push us down that they might climb
Is any killer worth more than his crime?

Like a steely blade in a silken sheath
We don't see what they're made of
They shout about love but when push comes to shove
They live for the things they're afraid of

And the knowledge that they fear
Is a weapon to be used against them

He's not afraid of your judgement
He knows of horrors worse than your hell
He's a little bit afraid of dying
But he's a lot more afraid of your lying

And the things that he fears
Are a weapon to be held against him

He's not afraid of your judgement
He knows of horrors worse than your hell
He's a little bit afraid of dying
But he's a lot more afraid of your lying



New world man

(Lee/Lifeson/Peart)

He's a rebel and a runner
He's a signal turning green
He's a restless young romantic
Wants to run the big machine

He's got a problem with his poisons
But you know he'll find a cure
He's cleaning up his systems
To keep his nature pure

Learning to match the beat of the old world man
Learning to catch the heat of the third world man

He's got to make his own mistakes
And learn to mend the mess he makes
He's old enough to know what's right
But young enough not to choose it

He's noble enough to win the world
But weak enough to lose it

He's a new world man

He's a radio receiver
Tuned to factories and farms
He's a writer and arranger
And a young boy bearing arms

He's got a problem with his power
With weapons on patrol
He's got to walk a fine line
And keep his self control

Trying to save the day for the old world man
Trying to pave the way for the third world man

He's not concerned with yesterday
He knows constant change is here today
He's noble enough to know what's right
But weak enough not to choose it

He's wise enough to win the world
But fool enough to lose it

He's a new world man

He's learning to match the beat of the old world man
He's learning to catch the heat of the third world man

He's a new world man
He's a new world man



Losing it

(Lee/Lifeson/Peart)

The dancer slows her frantic pace
In pain and desperation
Her aching limbs and downcast face
Aglow with perspiration

Stiff as wire, her lungs on fire
With just the briefest pause
The flooding through her memory
The echoes of old applause

And she limps across the floor
And closes her bedroom door

The writer stare with glassy eyes
Defies the empty page
His beard is white, his face is lined
And streaked with tears of rage

Thirty years ago, how the words would flow
With passion and precision
But now his mind is dark and dulled
By sickness and indecision

And he stares out the kitchen door
Where the sun will rise no more

Some are born to move the world
To live their fantasies
But most of us just dream about
The things we'd like to be

Sadder still to watch it die
Than never to have known it
For you, the blind who once could see
The bell tolls for thee

The bell tolls for thee

For you, the blind who once could see
The bell tolls for thee

The bell tolls for thee



Countdown

(Lee/Lifeson/Peart)

Lit up with anticipation
We arrive at the launching site
The sky is still dark, nearing dawn
On the Florida coastline

Circling choppers slash the night
With roving searchlight beams
This magic day when super science
Mingles with the bright stuff of dreams

Floodlit in the hazy distance
The star of this unearthly show
Venting vapours like the breath
Of a sleeping white dragon

Crackling speakers, voices tense
Resume the final count
All systems check, T minus nine
As the sun and the drama start to mount

The air is charged
A humid, motionless mass
The crowds and the cameras
The cars full of spectators pass

Excitement so thick you could cut it with a knife
Technology high on the leading edge of life

The earth beneath us starts to tremble
With the spreading of a low black cloud
A thunderous roar shakes the air
Like the whole world exploding

Scorching blast of golden fire
As it slowly leaves the ground
Tears away with a mighty force
The air is shattered by the awesome sound

Like a pillar of cloud
The smoke lingers high in the air
In fascination with the eyes of the world
We stare

Excitement so thick you could cut it with a knife
Technology high on the leading edge of life